Being a young and naive traveler, I couldn’t figure out for the life of me where all the fat people were when I was in Paris and subsequently in Bayonne in southern France. When I arrived at a topless beach on my first day in San Sebastian, Spain, I wondered no more. ¡No me gusto! They’ve all been excommunicated here. The shame of these people, however, failed to make the trip.
I’ve adapted to a comfortable routine for my week on the Bay of Biscay. 7:20 a.m: awake to my alarm and promptly shut it off for ten more minutes of light sleep. 10:09 a.m: wake up appalled to see how much I’d accidentally lost of the morning. Then I take a labyrinthine path along the gridded streets of the quiet city to the Parte Vieja. I stop for tea and a doughnut on the way at the same warm cafe where the ceiling fans robustly churn. One morning, an old Basque gentleman stopped on his way out of the bakery and demonstratively bent over my table and looked at my writing, notebooks sprawled before me among my teapot, cup, and empty plate. He must’ve been in his eighties–his thick tanned skin pulled tight over his knuckles as he leaned on his cane to peer in at my pages. He said nothing to me, but he looked me in the eyes as he stood back up and gave me an ok with his free hand abandoning the cane and smiling as he shuffled off towards the door.
Continuing to the famed beach of San Sebastian, a well-noted haunt of Hemingway in the twenties, I sit for two or three hours on the fine white sand accomplishing little more than people-watching and laying some ground work for melanoma. Mount Urgull and Mount Ulia hem the borders of the teardrop bay. Urgull was once a military outpost of the region and a castle still stands along with a presiding statue of Christ as though He was Spain’s great military visionary. Both are visible from the beach despite their proximity from the sand.
The San Sebastian beach is the greatest beach in the world. An old-fashioned Spanish promenade with lively bandstands featuring old men with red and white striped outfits and black hats holding golden trombones and trumpets borders the yawning, arching spine of the beach itself until it is consumed by the lush growth of Ulia and Urgull, which rise to the lowest white clouds skimming the sky. The effect of the topography is that of an enveloped security. When this feeling is matched to the expectable placidity of stretching out on the sand, watching the blue water mingle with the bluer sky, following their horizonal dialogue of color, it is as though one recedes into one’s own imagination. It is an impossible beach. It could not exist. And there you are, in its benevolent sun.
I spent five such days in late August and early September. Twice daily I went to the beach, once in the late morning and again in mid-afternoon. When the fuzzy orbs of the streetlights became illuminated and the electricity of the evening was ignited, I’d slowly join the crowds leaving the sand and heading to the gaping promenade. It is against my nature to abandon prose in favor of the stifling and unimaginative substitution of pictures, but I would like you to understand better what my lack of talent fails to completely deliver. This photo: http://wikitravel.org/upload/en/0/00/San_Sebastian_Panoramic.jpg (Sorry for the lack of a hyperlink, but if you’re ambitious enough to sleepwalk through my writing, you’re adept enough to cut and paste. And don’t get sidetracked opening another page! You come right back here and finish this Verse!) As I was saying, this photo encapsulates the feeling of seclusion that so captivated me those five days several summers ago.
Wait. No. Nevermind, dear reader. I was on a course to tell you more about Spain. It was a phenomenally quiet time, similarly structured to the implied period of rest shared in separate stints by Jacob Barnes and Lady Brett Ashley in The Sun Also Rises. Of course, much is intrinsically suggested in such a differentiation between the 1920s and the 2000s. Unlike Barnes, Ashley, or Hemingway, I perused six Spanish broadcasting channels, two of which were Spanish, two French, and two in Basque. Google the geographical location of San Sebastian and you’ll understand why the local language is split thee ways once you figure out who the Basques are. Until you’ve sleepily turned on the television in the middle of the night in Spain only to see a Mario Van Peebles film dubbed over in Basque, you haven’t really lived. Or Al Bundy dubbed in French. That was pretty strong as well.
I’m not going to round out this narrative because a funny thing happened to me on the way to concluding Verse 107. Inside my safe where all my writing rests, I was researching my time in Spain and flipping through my heavily stamped passport of the last nine years. My 34th year, of which I currently enjoy, was to feature my return to Paris and San Sebastian as all the characters of The Sun Also Rises, the novel that began me on my travels, were thirty-four. Mid-Verse, my excitement got the better of me and I booked a round-trip ticket from Boston to Charles de Gaulle airport in Paris for later this year. I was not contemplating a trip at all, yet there it was, booked and confirmed.
Four days and two arguments with American Express later, my trip is now cancelled. Emerson said, “A foolish consistency is the hobgoblin of small minds.” This trip was my foolish consistency for nine years. I am not the man I was at twenty-six, nor would I choose to be. I believe my days of traveling alone to be passed. They served their purpose. And now I have another. And I embrace that with my eyes wide open.
A.L.Y., happily in Amesbury, 2010.